Full house season 1
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“Fuller House” is the TV equivalent of “Dumb & Dumber To,” a sequel so out of touch, ugly and confused, it bears little resemblance to what you once loved. Even though the line readings and behind-the-scenes footage make it clear “Fuller House” was indeed shot in front of a live studio audience, there’s simply no way as many people laughed at lines like, “Aunt Stephanie is not a morning person” as we’re made to believe.īut for those who do hold a special place in their heart for San Francisco’s closest clan, do not be fooled. For one, the main source of humor in “Fuller House” is of the “Kids Say the Darnedest Things” variety, as viewers are practically begged to laugh at statements that aren’t even jokes. For better or worse, the Netflix incarnation is unapologetically made as fan service, constantly flashing back to old footage - including the painfully long opening credits that pop up for every single episode - and bringing in John Stamos, Bob Saget, Dave Coulier and Lori Loughlin to trick viewers into believing what they’re watching is the real thing.Īnd, in fairness, parts of it do feel like they’ve been pulled straight from the heyday of broadcast sitcoms - but only the era’s worst elements.
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In theory, this would set up a show very similar to the hit that spawned it, in which Danny Tanner accepted the assistance of his family and friends in raising his daughters after losing his wife. But whether you love the original series or suffer from PTSD after years of syndicated reruns, you need not worry about checking out the sequel to “Full House.” For the latter group, “Fuller House” wasn’t made for you. Overwhelmed by her loss (presumably) and responsibilities (again, presumably), she accepts the kind offer of her sister, Stephanie (Jodie Sweetin), and best friend, Kimmy (Andrea Barber), to come live with her and help out.
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Tanner (Candace Cameron Bure) after her firefighter husband dies, leaving her a single mother with a full workload as both a successful veterinarian and lone parent to three kids. As I’m sure many of you know, “Fuller House” tells the story of an older D.J.
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These cameos are as close as the series comes to recreating what it was, but they’re not free of odd new flaws - including a freaky run of meta humor that’s as inexplicable as it is awkward (including Bob Saget referring to himself and castmates as the aforementioned “cultural icons”). This new series would never have survived in the ’80s or ’90s, and it certainly wouldn’t have made it to Netflix today if not for the “cultural icons” that came before - and who keep popping up throughout these 13 episodes. In other words, “Fuller House” isn’t “Full House” - far from it. Well, not to be overly morbid, but Comet is long dead, people, and the kids who have been hired to try to replicate Michelle’s adorable little face aren’t just bad actors, but bad at being cute. READ MORE: Does ‘Fuller House’ Risk Damaging the Netflix Originals Brand? Well, you know the show you want “Fuller House” to be, which is the same show you grew up watching, fell in love with as a parent or were forced to witness repeatedly with your friends as they “oooed” and “awwed” at the cute kids and playful puppy.
Many fans of Jeff Franklin’s family friendly sitcom would be better served to experience “Fuller House” as Gibbler lives most of her life: absently. “But I’m pretty sure she walked in there and said that.” After a brief, forced moment of contemplation, Stephanie says, “But you weren’t even there?” “Yeah,” Kimmy replies. In the third episode of “ Fuller House” - which, if you get that far, means you’ve been unconscious for at least two-and-a-half episodes - Kimmy Gibbler, the goofball Tanner family neighbor who grew up and became a goofball Tanner family mother (kind of), tries to recall a memory from the original show, one of many callbacks to the late ’80s heyday of “ Full House” (and one of the many efforts to make up for the Olsen twins’ absence by referencing their catchphrase).